Dan Hassler-Forest
Dan Hassler-Forest (1973) is a media scholar who speaks, writes, and teaches about the interaction between popular culture and societal debates. He works in the department of Media and Culture Studies, where he does research on the ways in which social power is represented through popular media – with a particular focus on major entertainment franchises. He coordinates and teaches courses on fan culture, media industries, transmedia storytelling, and cultural analysis. He was awarded Teacher of the Year by Utrecht University College in 2026.
He has published scholarly books and articles on science fiction, cultural studies, media theory, anti-capitalism and popular culture, and zombies. He has written frequently for more popular platforms like The Washington Post and the Los Angeles Review of Books, and publishes a monthly column on film culture for Dutch magazine De Filmkrant. (For a full record of his writing, see "Publications" and "Books" in the left tab. In 2022, he published two books on the work of Janelle Monáe and the intersections between race, gender, and sexual identity in contemporary media industries. His most recent book Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood (University of Minnesota Press, 2026) maps out the rise of the 21st-century media franchising era through a close analysis of this wildly successful entertainment brand. He has recently completed a minute-by-minute analysis of The Texas Chain Saw Massacre (Lever Press, 2027) and is currently working on a critical companion to Twin Peaks.
Dan is a regular contributor to various journals and publications, including Science Fiction Film and Television, Adaptation, The Journal of Popular Culture, and Studies in Comics. He is a frequent public speaker, collaborating with many cultural institutions such as Impakt, Nederlands Filmfestival, EYE Film Museum, Felix Meritis, Spui25, De Rode Hoed, and College Club. He is also a recurring presence in the Dutch news media, giving interviews for television, radio, and the printed press on film and television culture.
