Episode 82: Blood In Blood Out with Jimmy Santiago Baca and Jimmy Patiño
This week poet and screenwriter Jimmy Santiago Baca joins Jimmy Patiño and me to talk about his 1993 epic Blood In Blood Out. We talk about Jimmy's life story, the challenges facing Chicanos in the 70s & 80s and the film's legacy today. This is a special pod. Hope you like it.
Jimmy Santiago Baca is a poet and activist of Chicano and Apache descent and author of Martin and Meditations on the South Valley (1987), which received the 1988 Before Columbus Foundation’s American Book Award in 1989. In addition to over a dozen books of poetry, he has published memoirs, essays, stories, and a screenplay, Blood In Blood Out (aka Bound by Honor) (1993), which was directed by Taylor Hackford.
Jimmy Patiño seeks to critically excavate alternative imaginings of democratic practice among aggrieved communities in the midst of global capitalism. Concentrating on Mexican-origin and broader Latino/a/x communities at the U.S. Mexico Border and in major U.S. urban settings, his work attempts to dialog about the ways that concepts of race, gender and nation create hegemonic class disparities AND formulate an array of identities that mobilize social movements and initiate class struggles on multiple fronts. His first book, Raza Sí, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego asserts that important contingents of Mexican-origin activists in the U.S. engaged, across generations, the crisis over the “illegal alien“ through attempts at organizing the Mexican-origin community across differences of national affiliation and citizenship status. Focusing on San Diego due to its vital positioning as both urban and border space where consistent migration and race-based border policing has occurred, the project illuminates a serious challenge to deportation-oriented immigration policies between 1968 and 1986 through the ideological prism of Chicano self-determination. He is now working on a number of other projects, including a study that investigates the conceptualization and historical practice of solidarity primarily through the lens of African American, Chicana/o/x, and Puerto Rican sites of struggle in the twentieth century. Important to this investigation are the ways regional differences and geo-historical contexts facilitated articulations of Black-Brown/Afro-Latinx diasporic solidarities and how these articulations led to counter hegemonic activities and theories of revolution across local, national and transnational boundaries. Through a relational and comparative framework, the study will ground these analyses in historical activities in the Midwest, Texas, California and New York in the burgeoning Black and Brown Power movements at the mid to late 20th century. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies.
Episode 81:Close Encounters of the Third Kind/A Global History of the UFO Phenomenon with Greg Eghigian
Dr. Greg Eghigian is a professor of history and bioethics at Penn State University. A historian of both the human sciences and modern Europe, he is particularly interested in how societies grapple with the questions and problems associated with modernity through the vehicles of science, technology, and medicine. His research has largely focused on the nature of power and the relationship between the state, science, and medicine in understanding and managing things such as disability, deviance, criminality, mental illness, and security. He regularly writes articles and present papers on the general history of madness and psychiatry. In recent years, however, his interests have moved into studying the history of supernatural and paranormal phenomena.
Episode 80: The Goonies and Generation X with John Wyatt Greenlee, Leah Lagrone, and Jamie Goodall
This week Jamie Goodall joins #HATM regulars John Wyatt Greenlee and Leah Lagrone to get to the bottom of a serious question: to which generation does The Goonies belong. We are up to no good in this episode and even through in some pirate history to boot. HATM never says die.
Dr. John Wyatt Greenlee is a medievalist and a cartographic historian. His academic research is primarily driven by questions of how people perceive and reproduce their spaces: how movement through the world — both experiential and imagined — becomes codified in visual and written maps.
Dr. Leah LaGrone is an assistant professor of history and public history director. She graduated from Texas Christian University in Fort Worth, Texas, with a PhD in history focused on borderlands, labor, and gender studies in early 20th century. Her research examines state legislation and the discourse on minimum wages for women, specifically the connections of sex work with low wages. Her current book project, “A Woman’s Worth: How Race and Respectability Politics Influenced Minimum Wage Policies,” demonstrates that the politics around race and the minimum wage for women drove conversations among labor, politicians, and progressive reformers about the future of white supremacy in Texas.
Dr. Jamie L.H. Goodall is a historian at the U.S. Army Center of Military History in Washington, D.C. All views expressed on my website are my own and are not reflective of my employer, the U.S. Army, or the Department of Defense. She also teaches part-time at Southern New Hampshire University in their College of Online & Continuing Education. She is the author of Pirates of the Chesapeake Bay: From the Colonial Era to the Oyster Wars (Charleston, SC: The History Press, 2020), National Geographic’s Pirates: Shipwrecks, Conquests, and their Lasting Legacy (Washington, D.C.: National Geographic, 2021), Pirates and Privateers from Long Island Sound to Delaware Bay (Charleston, SC: The History Press, 2022), and The Daring Exploits of Black Sam Bellamy: From Cape Cod to the Caribbean (Charleston, SC: The History Press, 2023).
Episode 79: The Birdcage/The History of Queer Miami with Julio Capó, Jr.
This week Julio Capó, Jr. drops in to talk about The Birdcage. We get into Robin Williams' queer performances, what this film meant then, and what it means now. We also talk about Julio's scholarship of Miami's immigration and LGBTQ+ history, along with our mutual love of Florida. One of the best pods we've ever done. I hope you enjoy.
Professor Capó is a transnational historian whose research and teaching interests include modern U.S. history, especially the United States’s relationship to the Caribbean and Latin America. He addresses how gender and sexuality have historically intersected with constructions of ethnicity, race, class, nation, age, and ability. His first book, Welcome to Fairyland: Queer Miami before 1940 (UNC Press, 2017), highlights how transnational forces—including (im)migration, trade, and tourism—to and from the Caribbean shaped Miami’s queer past. The book has received six awards and honors, including the Charles S. Sydnor Award from the Southern Historical Association for the best book written on Southern history. His work has appeared in the Journal of American History, Radical History Review, Diplomatic History, Journal of Urban History, Journal of American Ethnic History, Modern American History, GLQ, H-Net, American Studies, and several volumes.
Capó’s research extends to his commitment to public history and civic engagement. He curated “Queer Miami: A History of LGBTQ Communities” for History Miami Museum (open from March-September 2019) and participated in a National Park Service initiative to promote and identify historic LGBTQ sites and contributed a piece on Miami’s queer past for its theme study. Prior to entering graduate school, he worked as a broadcast news writer and producer, and his work has appeared in several outlets such as The Washington Post, Time, The Miami Herald, and El Nuveo Día (Puerto Rico).
Capó is the recipient of several awards including the Audre Lorde Prize from the Committee on Lesbian, Gay, Bisexual & Transgender History and the Carlton C. Qualey Award from the Immigration and Ethnic History Society. He currently serves as the co-chair of the Committee on Lesbian, Gay, Bisexual & Transgender History and on the Editorial Board for the Journal of American History.
Episode 78: 21 Jump Street/Policiing and the War on Drugs in Schools with Dr. Max Felker-Kantor
This week Max Felker-Kantor and I talk about what may be the world's most unlikely history movie: 21 Jump Street. We talk about the real-life attempts to embed police officers undercover in schools, the rise and fall of D.A.R.E., and the role DARE played in creating the carceral state. This is such a surprising episode with some real revelations and Max is an awesome guest. I hope you dig it.
Max Felker-Kantor is an associate professor of African American Studies at UW-Madison. He teaches courses in twentieth-century American and African American history. His research explores race, policing, politics, and cities since World War II. His first book, Policing Los Angeles: Race, Resistance, and the Rise of the LAPD (University of North Carolina Press, 2018) explores policing and antipolice activism in Los Angeles from the Watts uprising to the 1992 Los Angeles Rebellion. His second book, DARE to Say No: Policing and the War on Drugs in Schools (University of North Carolina Press, 2024), is a history of the DARE (Drug Abuse Resistance Education) program.
He is currently working on a new project on the history of the Los Angeles Police Department’s Rampart Scandal and the origins of twenty-first century policing. His work has been published in the Journal of Urban History, Modern American History, Journal of Civil and Human Rights, Boom California, and the Pacific Historical Review, as well as a range of other academic and popular outlets.
Episode 77: Jaws with Melissa Cristina Márquez
This week marine biologist and world reknowned shark expert Melissa Cristina Márquez dives in to talk all things Jaws. We talk about her career as a scientist, the role of sharks in the ecosystem, and the impact the book and film had on global shark populations. This is a different look for HATM and a lot of fun talking to an inspiring scholar. We're gonna need a bigger pod.
Known as the "Mother of Sharks," Melissa Cristina Márquez is a Latina marine biologist and conservationist who studies sharks and their relatives (the skates, rays, and chimaeras- collectively, this groups of animals are known as 'Chondrichthyans'). Márquezspecifically studies their habitat use (why they are where they are) and how their portrayal in the media influences attitudes towards marine predators and conservation initiatives. She founded The Fins United Initiative (TFUI; www.finsunited.co.nz) a program that introduces audiences worldwide to the diverse sharks and scientists who study them. You may have seen her on Shark Week or watched her TEDx talk on Youtube, "Sharks & Female Scientists: More Alike Than You Think." She is also a freelance wildlife writer and regularly covers marine science in regards to sharks as a Forbes contributor.
Episode 76: In the Heart of the Sea with Dr. Bathsheba Demuth
This week we are joined Bathsheba Demuth to talk about the Chris Hemsworth-led In The Heart of the Sea. Bathsheba is the author of one of my favorite books, Floating Coast: An Environmental History of the Bering Strait and we talk about the history of whaling, her work with Indigenous communities in the Yukon, and of course, Moby Dick. This is one of the most fun conversations I've had on this podcast and I hope you enjoy.
Dr. Bathsheba Demuth is writer and environmental historian specializing in the lands and seas of the Russian and North American Arctic. Her interest in northern places and cultures began when she was 18 and moved to the village of Old Crow in the Yukon, where she trained huskies for several years. From the archive to the dog sled, she is interested in how the histories of people, ideas, and ecologies intersect. In addition to her prize-winning book Floating Coast: An Environmental History of the Bering Strait, her writing has appeared in publications from The American Historical Review to The New Yorker and The Best American Science and Nature Writing. She is currently the Dean’s Associate Professor of History and Environment and Society at Brown University.
Episode 75: Red Dawn with Dr. Kathleen Belew
This week my good friend and native Coloradan Kathleen Belew drops in to talk about the movie that etched the word "wolverines" into our lives forever: Red Dawn. We talk about how Red Dawn depicts Cold War fears on the big screen, and how it has been perceived in the *checks notes* forty years since its release. As usual, Kathleen and I talk about where to get the best food in Colorado, skiing, and god knows what else. This is a pod you've been asking for. I hope you like it.
Kathleen Belew is a historian, author, and teacher. She specializes in the history of the present. She spent ten years researching and writing her first book, Bring the War Home: The White Power Movement and Paramilitary America (Harvard, 2018, paperback 2019). In it, she explores how white power activists created a social movement through a common story about betrayal by the government, war, and its weapons, uniforms, and technologies. By uniting Ku Klux Klan, neo-Nazi, skinhead, and other groups, the movement mobilized and carried out escalating acts of violence that reached a crescendo in the 1995 bombing of Oklahoma City. This movement was never adequately confronted, and remains a threat to American democracy. Her next book, Home at the End of the World, illuminates our era of apocalypse through a history focused on her native Colorado where, in the 1990s, high-profile kidnappings and murders, right-wing religious ideology, and a mass shooting exposed rents in America’s social fabric, and dramatically changed our relationship with place, violence, and politics (Random House).
Belew has spoken about Bring the War Home in a wide variety of places, including The Rachel Maddow Show, The Last Word With Lawrence O’Donnell, AC 360 with Anderson Cooper, Frontline, Fresh Air, and All Things Considered. Her work has featured prominently in documentaries such as Homegrown Hate: The War Among Us (ABC) and Documenting Hate: New American Nazis (Frontline). Belew is an Associate Professor of History at Northwestern University. She earned tenure at the University of Chicago in 2021, where she spent seven years. Her research has received the support of the Chauncey and Marion Deering McCormick Foundation, the Andrew W. Mellon Foundation, and the Jacob K. Javits Foundation. Belew earned her BA in the Comparative History of Ideas from the University of Washington, where she was named Dean’s Medalist in the Humanities. She earned a doctorate in American Studies from Yale University.
Episode 74: Inside Out with Dr. Agnes Arnold-Forster
This week Agnes Arnold-Forster jumps in to talk about the emotional roller coaster that is Pixar's Inside Out. We talk about how historians have conceptualized emotions, their role in the human experience, and Agnes' new book which charts the history of nostalgia. This is such a cool pod because we go places we rarely get to visit. I hope you dig it.
Agnes Arnold-Forster is a writer; researcher; and historian. She has written, researched, and presented on everything from women's health in today's Britain to the history of cancer; from the 1918 flu pandemic to the well-being of surgeons in twenty-first-century America. She is an expert in the history of Europe, the USA, and Canada, and my research spans the eighteenth century to the present day. She explores societies, cultures, medicine, science, technology, emotions, and the world of work. She is currently writing a book about the history of nostalgia, due to be published by Picador in April 2024.
Episode 73: Gidget and the Rise of California Beach Culture with Dr. Elsa Devienne
This week Elsa Devienne drops in to talk about Gidget and the history and transformation of the California beach. We get into the fascination with the US and the environment, as well as the influence of Hawaii on California beach culture. We also jump into issues of body image, gender dynamics, and queer representation in beach movies and the global trasnformation of surf culture post Gidget. This is a fun talk.
Elsa Devienne joined Northumbria University in 2019, having previously taught at Princeton University, Université Paris Nanterre, and the Ecole des Hautes Etudes en Sciences Sociales. Her research lies at the intersection of urban history, environmental history, and the history of gender, body, and sexuality, with a focus on the 20th century. She is particularly interested in the history of Americans’ intense engagement with their coastlines, from the 19th-century beach-bathing boom until today’s climate crisis and its catastrophic consequences for coastal communities.
Her first book, La ruée vers le sable: une histoire environnementale des plages de Los Angeles (Sorbonne Editions, 2020), won the 2021 Willi Paul Adams Award awarded by the Organization of American Historians for the best book on American history published in a language other than English. A translated and updated version with a new epilogue is coming out with Oxford University Press in 2024 under the title Sand Rush: The Revival of the Beach in Twentieth-Century Los Angeles. She is also the author of several articles published in academic journals in the US and Europe, including in The Journal of Urban History, The European Journal of American Studies, California History, Vingtième Siècle. Revue d'histoire and Actes de la recherche en sciences sociales.
Episode 72: Robocop and Guns in America with Dr. Drew McKevitt
This week Drew McKevitt returns to talk about Robocop (1987). We get into depictions of Detroit as a failed city and of Robocop as both the commercial answer to the Terminator and maybe the antithesis of Dirty Harry. And we dive deep into Drew’s new book to talk about the rise of the gun culture in the United States. Hanging with Drew is always a blast- he’s one of the smartest and funniest historians you’re gonna meet.
Dr. Drew McKevitt is an associate professor of history at Louisiana Tech University. He recently published a book called Consuming Japan: Popular Culture and the Globalizing of 1980s America. His new book is Gun Country: Gun Capitalism, Culture, and Control in Cold War America. His next project examines U.S. workers in foreign-owned manufacturing facilities in the United States since the 1970s.
Episode 71: A Knight’s Tale with Thomas Lecaque, John Wyatt Greenlee, and Anna Waymack
This week the pod welcomes back Thomas Lecaque and John Wyatt Greenlee along with #HATM newcomer Anna Waymack to talk about maybe the best medieval movie ever made: A Knight's Tale. We talk Chaucer, romance, Heath Ledger, the Black Prince, and that fucking soundtrack. Let's go.
Thomas Lecaque is an associate professor of History at Grand View University in Des Moines, Iowa. He specializes in the nexus of apocalyptic religion and political violence. He has written for the Washington Post, Religion Dispatches, Foreign Policy and The Bulwark, among others.
John Wyatt Greenlee is a medievalist and a cartographic historian.His academic research is primarily driven by questions of how people perceive and reproduce their spaces: how movement through the world — both experiential and imagined — becomes codified in visual and written maps.
Anna Waymack, is a Ph.D. candidate in Cornell's Medieval Studies Program, and was selected as a fellow in Olin Library's Summer Graduate Fellowship for Digital Humanities in 2016. As part of that fellowship, Anna developed digital humanities expertise and produced a public website focused on an aspect of her research, Geoffrey Chaucer and the charge of raptus brought forth by Cecily Chaumpaigne.
Episode 70: Munich with Dr. Jeffrey Melnick and Dr. Erik M. Baker
This week Jeff Melnick and Erik Baker jump in to talk about Steven Spielberg's Munich. We talk about the history behind the attacks in 1972, why they were relevant in 2005, and why they remain relevant today. And yes, we absolutely discuss the warfare and attempted genocide in Palestine today. This is a really important conversation and I hope that it helps to illustrate how movies can be part of historical dialogue. I learned a lot from these guys and I hope you will too.
Jeffrey Melnick is a professor at University of Massachusetts Boston and the author of 9/11 Culture: America Under Construction (Wiley-Blackwell, 2009), Black-Jewish Relations on Trial (University Press of Mississippi, 2000), and A Right to Sing the Blues (Harvard University Press, 1999).
Dr. Erik M. Baker is currently a lecturer in the History of Science department at Harvard University and oversee the senior thesis program for undergraduates. He is also a senior editor at The Drift, where he has been involved since its inception. He earned his Ph.D. from Harvard in May 2022, and his dissertation won the 2023 Leo P. Ribuffo Prize from the Society for U.S. Intellectual History as well as the 2024 Forum for History of Human Science Biennial Dissertation Prize.
His research explores the culture of work in the modern United States. In his new book, Make Your Own Job: How the Entrepreneurial Work Ethic Exhausted America, he explores how social scientists and management intellectuals reshaped the American work ethic during the turbulence of twentieth-century U.S. capitalism. He has contributed articles on labor, politics, and American history to publications such as The New Yorker, Harper’s, n+1, The Nation, and more.
Episode 69: The Mambo Kings and the History of Cuban Music in America with Dr. Christina Abreu
This week Christina Abreu drops in to discuss Cuban-American history, Cuban music, and the representation of Cubans in film. We explore the origins and characteristics of Cuban music, as well as the migration of Cubans to the United States in the 1950s. We also discuss the relationship between Cuban-Americans and other Latino groups, as well as the integration and segregation within Cuban-American communities. This is a fun podcast and deep dive into Cuban American history. I hope you dig it.
Dr. Christina Abreu is associate professor of history and director of the Center for Latino/Latin American Studies at Northern Illinois University. Her research focuses on the role of race, nationalism, and migration in the Cuban and Spanish Caribbean diasporic communities of the United States with a particular emphasis on popular culture. Her first book, Rhythms of Race: Cuban Musicians and the Making of Cuban New York City and Miami, 1940-1960, examined the relationship between black and white Cuban musicians and the Cuban and broader Latinx communities of New York City and Miami in the 1940s and 1950s. In her second book, Patria over Profits: The Story of Afro-Cuban Boxing Champion Teófilo Stevenson, she offers a cultural history of the life and times of Afro-Cuban boxing champion Teófilo Stevenson, winner of three heavyweight boxing Olympic gold medals in 1972, 1976, and 1980. In detailing Stevenson’s triumphs in the ring, another more complex and interconnected story emerges about revolutionary Cuba and the island’s Afro-Caribbean connections, race and black athletic activism, Cuban exile culture and politics, and international sports celebrity. Patria over Profits is under contract with the Sport and Society series at the University of Illinois Press.
Episode 68: Smokey and the Bandit with Dr. Karen Cox
This week Karen L. Cox swings by to talk about the South, the 70s, and why Burt Reynolds was so damn cool. This is probably the first time you’ve heard Smokey and the Bandit on a history podcast, but that’s what we are here for. This one is fun.
Dr. Karen L. Cox is Professor Emerita of History at the University of North Carolina at Charlotte and the founding director of the graduate public history program. During her tenure from 2002-2024, she offered a variety of courses in southern history and culture, as well as graduate electives in public history.
Dr. Cox received her BA and MA in history from the University of North Carolina at Greensboro, and her Ph.D. in 1997 from the University of Southern Mississippi. She is the author of four books, the editor or co-editor of two volumes of southern history, and she has written numerous essays and articles on the subject of southern history and culture. Her first book, Dixie’s Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture, won the 2004 Julia Cherry Spruill Prize from the Southern Association for Women Historians for the Best Book in Southern Women’s History. Her second book, published by UNC Press in 2011, is Dreaming of Dixie: How the South Was Created in American Popular Culture. She is the editor of Destination Dixie: Tourism and Southern History (University Press of Florida, 2012), which won the 2013 Allen G. Noble Award for the best edited collection in North American material culture from the Pioneer America Society and the co-editor of Reassessing the 1930s South (LSU Press, 2018)Her latest book, entitled Goat Castle: A True Story of Murder, Race, and the Gothic South, was published by UNC Press in October 2017. Her most recent book, No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice (UNC Press, 2021), examines the long history of Confederate monument from the end of the Civil War to the summer of 2020 following the George Floyd murder.
Dr. Cox has written op-eds for the New York Times, The Washington Post, CNN, TIME magazine, Publishers Weekly, and Smithsonian Magazine. Her expertise on the American South has led to interviews with the Los Angeles Times, Newsweek, The Daily Beast, Mic, The Atlantic, the Wall Street Journal, Slate (France), the Atlanta-Journal Constitution, the Houston Chronicle, and the Charlotte Observer, as well as international newspapers in Germany, Denmark, Ireland, and Japan. She has also appeared on CNN with Brooke Baldwin, MSNBC with Stephanie Ruhle, BBC Newshour, Indus News, Black Politics Today, The Mike Smerconish Show (Sirius XM), C-SPAN, Canadian Public Broadcasting, Minnesota Public Radio, Georgia Public Radio, and Charlotte Talks.
She frequently gives public talks to both community and academic audiences, and is an OAH Distinguished Lecturer.
Cox is originally from Huntington, West Virginia.
Episode 67: Dune Part 2 with Dr. Mary Hicks and Margari Hill
This week Mary Hicks and Margari Hill drop in to talk all things DUNE. We focus on Dune Part 2 but also talk about the historical influences on Frank Herbert as he wrote Dune, along with how Dune influenced the science fiction and fantasy that came afterward. We talk about the parallels between the fictional universe and historical events, such as the Ottoman Empire and the interactions between European powers and Indigenous communities. We also get into the portrayal of whiteness in the film and the complexities of women's roles and agency within the narrative. We dive into the egalitarianism in the Fremen world and the infiltration of outside values. The depiction of female spirituality and the complexity of women characters are discussed. The casting and representation in the film, particularly in relation to Middle Eastern culture, are examined. Mary and Margari also touch on the historical resonances and sensitivity in the film. The difference between a cautionary tale and a hopeful vision is explored. This conversation is one of the best we've ever had on this podcast and I hope you like it.
Dr. Mary Hicks is a historian of the Black Atlantic, with a focus on transnational histories of race, slavery, capitalism, migration and the making of the early modern world. Her first book, Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery, 1721-1835, reimagines the history of Portuguese exploration, colonization and oceanic commerce from the perspective of enslaved and freed black seamen laboring in the transatlantic slave trade. As the Atlantic world’s first subaltern cosmopolitans, black mariners, she argues, were integral in forging a unique commercial culture that linked the politics, economies and people of Salvador da Bahia with those of the Bight of Benin.
More broadly, she seeks to interrogate the multiplicity of connections between West Africa and Brazil through the lens of mutual cultural, technological, commercial, intellectual and environmental influences and redefine how historians understand experiences of enslavement and the middle passage. In addition to investigating the lives of African sailors, she also explores the cultural and religious sensibilities of enslaved and freed African women in living in 19th century Salvador da Bahia. Along these lines, her second book will detail the emergence and elaboration of new gendered and racialized subjectivities in the wake of Portugal’s initiation of trade with West Africa in the fifteenth century.
Prof. Hicks received her B.A. from the University of Iowa and her Ph.D. from the University of Virginia, where she was a recipient of the Jefferson Fellowship. She has also received the Ford Foundation Dissertation Fellowship and the Mamolen Fellowship at the Hutchins Center at Harvard University. She is the winner of the Southern Historical Association’s Latin American & Caribbean Section Dissertation Prize and been a finalist for the CGS/Proquest Distinguished Dissertation Award for the Humanities and Fine Arts.
Margari Hill is the co-founder and Executive Director of Muslim Anti-Racism Collaborative (MuslimARC), a human rights education organization. She is also a freelance writer published in How We Fight White Supremacy (2018) Time, Huffington Post, and Al Jazeera English. She earned her master’s degree in History of the Middle East and Islamic Africa from Stanford University in 2006. Her research includes transformations in Islamic education, colonial surveillance in Northern Nigeria, anti-colonial resistance among West Africans in Sudan during the early 20th century, interethnic relations in Muslim communities, anti-bias K-12 education, and the criminalization of Black Muslims. She is on the Advisory Council of Islam, Social Justice & Interreligious Engagement Program at the Union Theological Seminary. For her work, she has received numerous awards including the Council of American Islamic Relation’s (CAIR) 2020 Muslim of the Year award, Khadija bint Khuwaylid Relief Foundation Lifetime Humanitarian award in 2019, the Big Heart Award in 2017, and MPAC’s 2015 Change Maker Award. She has given talks and lectures in various universities and community centers throughout the country.
Episode 66: Minority Report with Dr. Matthew Guariglia
This week Matt Guariglia drops in to talk about Steven Spielberg and Tom Cruises's Minority Report. We also discuss the history of policing in New York City and its impact on other cities. We jump into as eugenics, race and ethnicity in policing, gender dynamics, and the influence of World War I on the evolution of criminality in New York City and the rest of the United States as well as the Italian-American experience and the assassination of Joseph Petrosino. This is a fun talk about a somewhat overlooked Spielberg/Cruise collaboration. I hope you like it.
Dr. Matthew Guariglia is a historian and inter-disciplinary scholar serving as senior policy analyst for surveillance and technology policy at the Electronic Frontier Foundation (EFF) where he focuses on policy and advocacy related to how local & federal law enforcement, intelligence agencies, and private corporations use technology. He currently holds academic affiliations in the Emory University Department of History and at Indiana University and the Institute of American Thought in support of research into the long history of how the U.S. government collects information on individuals and the relationship between information technologies and punitive state power and activism.
His first book Police and the Empire City: Race and the Origins of Modern Policing in New York is out now from Duke University Press. He is also the co-editor of the Essential Kerner Commission Report (Liveright, 2021). He has a PhD in History from the University of Connecticut where my dissertation was awarded the 2020 Outstanding Dissertation Award by the Immigration and Ethnic History Society.
He is also a researcher with years of experience with Freedom of Information Act (FOIA) requesting. His writing can also be found in the Washington Post, NBC News, TIME, Slate, VICE, MuckRock, and the Urban History Association's blog, The Metropole.
Episode 65: Harriet with Dr. Edda Fields-Black
This week Edda Fields-Black joins in to talk about her book on Harriet Tubman and the film Harriet. We talk about the importance of accurate terminology in black history, the role of religion in enslaved people's lives, the challenges of escaping from South Carolina, and the emotional impact of historical research. We also get into the need for more biopics on historical figures and recommend books and scholars for further reading. Edda's new book is gonna CHANGE THINGS, y'all. I hope you like the pod.
Dr. Edda Fields-Black is a specialist in the trans-national history of West African rice farmers, peasant farmers in pre-colonial Upper Guinea Coast and enslaved laborers on rice plantations in the South Carolina and Georgia Lowcountry during the antebellum period.
Fields-Black’s new book, COMBEE: Harriet Tubman, the Combahee River Raid, and Black Freedom during the Civil War (Oxford University Press, trade list, February 2024) offers the fullest account to date of Tubman’s Civil War service. This narrative history tells the untold story of the Combahee River Raid from the perspective of Tubman and the enslaved people she helped to free based on new sources not previously used by historians, as well as new interpretations of sources familiar to Tubman’s biographers. It is the story of Harriet Tubman’s Civil War service during which she worked as a cook and nurse in Beaufort, SC, and gathered intelligence among freed people and enslaved Blacks. It is the story of enslaved people who labored against their wills on seven rice plantations, ran for their lives, boarded the US gunboats, and sailed to freedom.
Episode 64: There Will Be Blood with Dr. Brian DeLay
This week Dr. Brian DeLay drops in to share a milkshake about There Will Be Blood and the performance of Daniel Day-Lewis. We explore the complexity of the protagonist, Daniel Plainview, and his lack of change throughout the film as well as the historical context of oil barons and the era of titans in American history. The conversation delves into the relationship between Plainview and capitalism, highlighting his refusal to let the big guys win, even at the cost of his own success. The conversation touches on the violent ending, the absence of Native peoples in the narrative, and Brian DeLay's work on the West including the differences between writing for trade presses and academic presses. Brian is a titan in the field so I hope you enjoy this conversation.
Dr. Brian DeLay is a scholar of 18th- and 19th-century North America, specializing in transnational, borderlands, and Native American histories. Most of his writing explores connections between U.S., Latin American, and Indigenous histories in order to better understand power and inequality in the Western Hemisphere.
His first book, War of a Thousand Deserts: Indian Raids and the U.S.-Mexican War
recovers the forgotten, transnational story of how Comanches, Kiowas, Apaches, Navajos and other Indigenous peoples shaped the transformative era of the U.S.-Mexican War. He is now working on three interconnected projects about the history of the international arms trade. The first is a book called Aim at Empire: American Revolutions through the Barrel of a Gun, 1750-1825. The book explains how the international arms trade made anticolonial rebellion a practical possibility in British North America; how arms dealers from the newly-independent United States equipped the Haitian Revolution and the Spanish American Wars for Independence; and how privileged control over war material empowered U.S. empire in the trans-Appalachian West. Aim at Empire will be published by W.W. Norton in 2024. The second project is another book under contract with W.W. Norton: Means of Destruction: Guns, Freedom, and Domination in the Americas before World War II.
Episode 63: Ferrari with Dr. Colin Colbourn
This week Dr.Colin Colbourn buckles in to talk about Formula 1 racing, the Mille Miglia, how Ferrari recovered from WWII, and Colin’s work to find and repatriate American missing in action with Project Recover.
Colin Colbourn, Ph.D., is Project Recover’s Lead Historian and a Postdoctoral Researcher with the University of Delaware. Since 2016, he has managed historical operations including archival research, data management, case analysis, and field investigations. Through these efforts, Project Recover has developed a massive internal archive comprised of thousands of historical reports, maps, and images.
As a Postdoctoral Researcher, Colin Colbourn works closely with Mark Moline, Ph.D., co-founder of Project Recover. In this capacity, he develops MIA cases with the team of oceanographers and AUV/ROV experts at the University of Delaware. It is a collaboration that, like Project Recover, relies on mutli-disciplinary expertise to approach the MIA mission from different angles.